A collection of horror stories involving cannibals, zombies “and other funny creatures”. The full-length feature film "Azor", filmed in Mordovia by enthusiasts Victor Chichaykin and Alexander Uchevatkin, was ready a year ago. In autumn of 2017, the creators organized a test show, inviting connoisseurs of ethnography, ancient traditions and people interested in the theme of the history of the Erzyan people. 一(yī )部(🙇)(bù )四部故事(shì(💣) )的(de )选集恐(🔺)怖(bù )电(diàn )影。Die Laughing是(🧟)一名(míng )精(⛎)神病杀(😆)手小丑跟踪一(🌻)名年轻女(🚶)子。在“恐怖(🎀)女(nǚ )主持人”中(⛓)(zhōng )，一位(⛲)电影(yǐng )尖叫女(😥)王在(zài )接(🔊)受电视脱(➕)(tuō )口秀女主持(➕)(chí )人采访(🥡)时获(huò(🔼) )得的收益超(chā(🎐)o )过了她的(🎵)讨(tǎo )价还价。“坏(🎭)花”是一(yī(🏿) )个自然(🏞)流动(dòng )的故事(❌)，而(ér )亨特(🍡)讲述了(le )一(🕊)个(gè )联邦调查(🕉)局(jú )特工在一个(🌥)(gè )小镇调查一(⭕)(yī )系列野(💼)蛮(mán )谋(móu )杀案(✴)的故(gù )事(🍝)(shì )。 在法(🍈)院(yuàn )擔(dān )任公(🧚)設辯護(hù(🤲) )人的李慧(🐘)貞，接任一樁由(💯)名律師王國超中途解(⚽)除(chú )委任(🍓)的青少(shǎ(🔅)o )年殺人案。 《梦想(👵)之城(chéng )》是(🍃)一部现(⚡)(xiàn )实主义题材(🍝)(cái )的创业(🥄)电影(yǐng )。影片展(🌂)现(xiàn )了佛(🕷)山作为(🚎)(wéi )改革开放前(🗿)(qián )沿阵地(🎱)，40年(nián )来所(🏡)取得的(de )巨大成(🧡)就和(hé )显著(zhe )变化(🈷)。故事(shì )通过描(⬇)写在(zài )风(🍷)云激荡的(de )改革(🐛)开放大(dà(🛃) )潮中，祖(🏦)(zǔ )辈(bèi )生活在(💋)佛(fó )山(shā(🍺)n )的阿宽（(🥫)保(bǎo )剑锋饰）(😿)与(yǔ )外来追梦者北北(🕍)（金巧巧(📖)饰）等人(🏎)在奋斗创业路(😏)(lù )上的不(🍟)同经(jī(⭐)ng )历、际遇和(hé(🚓) )人生抉择(🐊)，展现出佛山(shā(🍇)n )人“敢为人(🈴)(rén )先、(🎣)崇文务(wù )实、(🦃)通济和(hé(🛏) )谐”的性格(😜)(gé )气质和城市(🍲)(shì )精神。 Taapmaan is a hard-hitting, dark action drama about an independent filmmaker whose only wish is to become the kind of filmmaker he wants to be. He has been struggling since quite long but still has nobody standing by his side. In addition to this, his not-so-successful career gets affected badly when an online critic, with whose opinion he had once disagreed, gets him framed for making a snuff film. When he's not provided justice, he gets shattered from within and proclaims openly to sacrifice his speech unless he gets justice. But in the age of digital media, isn't he just another guy who wants his work to be seen and appreciated? His battle intensifies when time passes by and lack of justice makes him brutal and extremely angry. ユミは夫(🍫)と娘の３人暮(🕑)らし。近(jì(😲)n )々引っ越しを(🐱)考えてい(🎾)る。ユミ(🕊)は娘のレイナ(🐍)が時折う(🕒)わ言を発(💻)することが、(🍁)少(shǎo )々気にかかって(😮)いた。転居(🗄)の報告も(🏩)兼ねて友人ヒ(👖)ロミと久(🕧)(jiǔ )々に(👱)再会するユミ(📻)。話(huà )題は(🤛)いつしか「あ(🧘)の日(rì )」(🔑)のこと(🚐)に。「私たちが(🛐)埋めた時(👕)(shí )、本当(🆗)に死(sǐ )んでた(📖)のかな？」。ユミ(😐)は「あの日」(🖍)のことを(💭)清(qīng )算すべく(🧞)、サエ、(🐆)アコに(🎹)も再会を決意(🚖)し、廃(fè(🙅)i )墟のよう(👄)な家に一人(ré(🎆)n )で住むサエに会いに行く。サエ(📠)は、見知(🙆)らぬ少女が現(〰)れて娘だ(😝)と言っ(🚮)て聞かず、し(🏧)ばらく一(🥖)緒(xù )に暮らしていたが(🐴)死んだ(🔯)こと、そして(⏱)少女は死(🛋)んだまま(😼)その家の３階(🗂)に寝かされてい(🎭)るということ(🕶)を話し出(⛪)す。(C)「黄(huáng )泉が(🖇)える少(shǎ(📕)o )女」製(🛸)作委(wěi )員会 本(🌙)片撷(xié )取(🚤)了发生在(🚏)(zài )中国北方(fā(💔)ng )小(xiǎo )城镇中一(yī )个(gè )中国青年(🎺)出(chū )狱后(🎱)的一段人生经(🥂)历，讲述了(🕋)一个小(🤐)人物在商品经(🎾)济的大潮(🦄)(cháo )中与时代的(de )隔离，以及(🍁)(jí )人们(🌀)对金钱(qián )的崇(🚨)尚和理(lǐ(📗) )想、道德(🙍)的(de )流失，对社(shè(🚩) )会与人性(🥀)作(zuò )出(🐴)了深度拷(kǎo )问(🌟)。尤其是(shì(💷) )本片以中国(guó(🛵) )农历冬季(🥧)的(de )四个(🐨)节气作(zuò )为篇(✅)(piān )章，具有(⬜)强(qiáng )烈的(🎩)中国文(wén )化符(🔙)号视觉(jiào )。